| Nombre | Año |
|---|
| Slaying a Paper Tiger | 2012 |
| Why You Always Leave a Note | 2014 |
| Settled | 2014 |
| Fracture | 2014 |
| Built For | 2014 |
| Dialect Of... | 2014 |
| Seas | 2015 |
| Cricket in the Yard | 2017 |
| Slopes | 2015 |
| Hunter | 2017 |
| Snake Oil Salesman | 2017 |
| North Lynx | 2017 |
| Short Stem | 2017 |
| Empty Hands | 2017 |
| Greyhound | 2017 |
| Two Ships | 2012 |
| Hawk in My Head | 2017 |
| Split Logs | 2017 |
| Rooftops | 2017 |
| Praxis | 2012 |
| Spring River | 2012 |
| Scud Running | 2014 |
| Old Souls | 2014 |
| Donald Domesky | 2012 |
| Runner's Body | 2014 |
| Grass and Bones | 2012 |
| Sammy | 2012 |
| Get Down | 2012 |
| Glass, Irony | 2014 |
| Costa Rica | 2012 |
| Clever Hands | 2012 |
| Wesley's Pipe Dream | 2012 |
| Questions for Dome Chomsky | 2012 |
| Prolonged Exposure | 2014 |
| Absurd Walls | 2014 |
| Perfect Equilibrium | 2012 |
| Transcendental Deduction Copernican Turn | 2012 |
| At Dawn We Left | 2012 |
| Horizontal | 2012 |
| First as Tragedy, Second as Farce | 2014 |
